By Aleshea Harris Directed by Imani Mitchell Characterized as a play-pageant-ritual-homegoing celebration in response to the physical and spiritual deaths of Black people as a result of racialized violence, WHAT TO SEND UP WHEN IT GOES DOWN is meant to disrupt the pervasiveness of anti-blackness and acknowledge the resilience of Black people throughout history. This theatrical work uses facilitated conversation, parody, song, and movement in a series of vignettes to create a space for catharsis, reflection, cleansing, and healing. Boundaries…

By Aleshea Harris Directed by Imani Mitchell Characterized as a play-pageant-ritual-homegoing celebration in response to the physical and spiritual deaths of Black people as a result of racialized violence, WHAT TO SEND UP WHEN IT GOES DOWN is meant to disrupt the pervasiveness of anti-blackness and acknowledge the resilience of Black people throughout history. This theatrical work uses facilitated conversation, parody, song, and movement in a series of vignettes to create a space for catharsis, reflection, cleansing, and healing. Boundaries…

By Aleshea Harris Directed by Imani Mitchell Characterized as a play-pageant-ritual-homegoing celebration in response to the physical and spiritual deaths of Black people as a result of racialized violence, WHAT TO SEND UP WHEN IT GOES DOWN is meant to disrupt the pervasiveness of anti-blackness and acknowledge the resilience of Black people throughout history. This theatrical work uses facilitated conversation, parody, song, and movement in a series of vignettes to create a space for catharsis, reflection, cleansing, and healing. Boundaries…

By Aleshea Harris Directed by Imani Mitchell Characterized as a play-pageant-ritual-homegoing celebration in response to the physical and spiritual deaths of Black people as a result of racialized violence, WHAT TO SEND UP WHEN IT GOES DOWN is meant to disrupt the pervasiveness of anti-blackness and acknowledge the resilience of Black people throughout history. This theatrical work uses facilitated conversation, parody, song, and movement in a series of vignettes to create a space for catharsis, reflection, cleansing, and healing. Boundaries…

By Aleshea Harris Directed by Imani Mitchell Characterized as a play-pageant-ritual-homegoing celebration in response to the physical and spiritual deaths of Black people as a result of racialized violence, WHAT TO SEND UP WHEN IT GOES DOWN is meant to disrupt the pervasiveness of anti-blackness and acknowledge the resilience of Black people throughout history. This theatrical work uses facilitated conversation, parody, song, and movement in a series of vignettes to create a space for catharsis, reflection, cleansing, and healing. Boundaries…

By Aleshea Harris Directed by Imani Mitchell Characterized as a play-pageant-ritual-homegoing celebration in response to the physical and spiritual deaths of Black people as a result of racialized violence, WHAT TO SEND UP WHEN IT GOES DOWN is meant to disrupt the pervasiveness of anti-blackness and acknowledge the resilience of Black people throughout history. This theatrical work uses facilitated conversation, parody, song, and movement in a series of vignettes to create a space for catharsis, reflection, cleansing, and healing. Boundaries…

By Aleshea Harris Directed by Imani Mitchell Characterized as a play-pageant-ritual-homegoing celebration in response to the physical and spiritual deaths of Black people as a result of racialized violence, WHAT TO SEND UP WHEN IT GOES DOWN is meant to disrupt the pervasiveness of anti-blackness and acknowledge the resilience of Black people throughout history. This theatrical work uses facilitated conversation, parody, song, and movement in a series of vignettes to create a space for catharsis, reflection, cleansing, and healing. Boundaries…

By Aleshea Harris Directed by Imani Mitchell Characterized as a play-pageant-ritual-homegoing celebration in response to the physical and spiritual deaths of Black people as a result of racialized violence, WHAT TO SEND UP WHEN IT GOES DOWN is meant to disrupt the pervasiveness of anti-blackness and acknowledge the resilience of Black people throughout history. This theatrical work uses facilitated conversation, parody, song, and movement in a series of vignettes to create a space for catharsis, reflection, cleansing, and healing. Boundaries…