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Sacramento Magazine » March 2007 »
Jennifer LeightonBy Cathy Cassinos-Carr |
From March 2007
Photography by Beth Baugher
After years of coaching singers, this Granite Bay choral director is hearing her own praises sung. Emerging with a bachelor’s degree in English and a minor in voice, Leighton returned to her home state (“I was really homesick”) and began the arduous process of fulfilling requirements for a California teaching credential. (“I always tell my students to go to school in the state in which they plan to teach,” she says. “Reciprocity is a joke.”) In her first teaching job, a 10-year stint at Oakmont High in Roseville, Leighton taught both English and choir; in time, her true calling made itself known. (Hint: It wasn’t English.) “Teaching choir, working with an innate talent like singing, is very different from teaching English,” she says. “With music, your voice is your body, so it’s a much more personal kind of work. With English, they (students) can distance themselves from the work a lot more. . . . and sometimes you only have them for one semester.” But her choir students often stay with her for all four years, Leighton says, allowing her to develop closer relationships with them and, potentially, have a greater impact on their lives. At Granite Bay, Leighton has the opportunity to do what she loves best: teach choir full time. She’s been there since the school opened in 1996 and, according to former Granite Bay principal Ron Severson, was the foundation for the performing arts program that exists today. “Jennifer is a tireless worker who sets huge expectations for herself and her program,” says Severson. “But she also has a unique ability to make the experience fun.” Severson also praises Leighton’s ability to inspire students, helping them to grow not only as musicians, but into mature young adults. “Her students get great technical training. But it is the change in their self-confidence, their work ethic and their expectations that is most impressive.” Morgan Anderson, a Granite Bay senior and a choir member for eight semesters running, credits “Mrs. Leighton” for helping her to tap into leadership potential she didn’t know she had. “I knew I could sing well, but I always thought of myself as just a background person in the choir,” says Anderson. When Leighton encouraged her to apply for the position of choir president, Anderson was stunned. “When she told me people admire me and look up to me, and that I lead by example, I was like, ‘Really?’” Anderson is now serving a term as choir president—an experience she calls “a great confidence booster.” Fostering leadership is hugely important to Leighton, who routinely appoints student directors (such as Anderson) and mentors them in the art of choral conducting. “The whole leadership aspect is really big with me,” she says, admitting it is one of the things that distinguishes her as an educator. “It’s something you may not see with other teachers or other programs.” Another thing you may not see is the rich diversity of music Leighton chooses for her choirs. (There are several, from beginning to advanced, plus madrigals.) At any given performance, you’re likely to hear music you know (depending on the season, it could be Handel’s “Messiah” or a Beatles medley) alongside obscure ethnic music and works from such young composers as Eric Whitacre. “I love songs that make an impact—that do something the audience isn’t expecting,” Leighton says. But mostly, she says, she picks songs that “really, really speak to me. If I’m passionate about it, I figure my kids are going to be passionate about it and so will my audiences.” While she’s wide-open to most music, she says, there’s one thing she can’t stand: schmaltz. “If the words are corny or trivial,” she says, “I just can’t do it.” And if she has one regret, Leighton says, it’s being away from her family in the evenings, when rehearsals and performances take up her time. “But when you’re in the performing arts,” she says with a hint of resignation, “there’s really no way around that.” She compensates by spending as much time in the afternoons with her kids—Nick, 16, Arielle, 13, and Emmery, 11—as she can, providing parental taxi service to music lessons, orthodontist appointments and the like. She’s also coached their soccer teams, fleetingly living out an old dream. But, as she points out, being a choral director—Leighton-style, at least—is a lot like coaching. “I’m not your delicate-flower music teacher,” she says with a smile. “It’s pretty much, ‘All right, everyone, stand in line. We’re leaving to the count of five . . . ’” advertisement
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