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Sacramento Magazine » April 2008 »
SacramentionsBy Ed Goldman |
From April 2008
Along for the Bride—I first met Diana Harris nearly 30 years ago when my late wife, Jane, and I flew down to Southern California to hear her sing at a Venice nightclub called F. Scott’s. I had only recently moved to the capital from L.A., and found out that evening that Harris, an almost-native Sacramentan, had only recently moved to L.A. to get into show business. During the next several years, I heard how she was doing through my oldest pal, Phil Syracopoulos, who occasionally hung out with her. (He’d been the one who’d invited us to fly down to hear her sing.) Flash-forward 20-plus years: Jane was one of the artists featured in a group show at the Solomon Dubnick Gallery. She was telling someone at the opening-night reception that I’d just written a musical (Friday at Five, which premiered at the Sacramento Theatre Company this winter, directed by my daughter, Jessica). A booming voice burst in: “Hey, is your husband auditioning singers, or what?” It was Harris, natch—but because our initial meeting two decades earlier had been so brief, it took all of us a few rounds of who’s-on-first to figure out how we knew each other. By now, Harris had been a singer, composer, actress, interior designer and photographer. Shortly thereafter, she became much more: a family friend who made it a point to visit Jane, over the course of her nine-year illness, whenever she was in Sacramento to visit her own family. These days, Harris is still singing and acting but has turned her talents—well, at least a few of them—to producing, directing and shooting highly imaginative, charmingly retro wedding videos: deliberately jumpy home movies that look as though they were made 40 years ago with an 8-mm, silent Kodak camera. That’s the allure of them, though Harris uses up-to-date techniques to achieve her effects. She edits and adds music on her computer, and plays with light and color in postproduction. The end result is something very old-fashioned and very postmodern. You can see what I mean, since I clearly don’t, at lucky8mm.com. advertisement
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